June 2 – 14
HAD’s
Annual Intensive Workshop is a special opportunity for intermediate and advanced
students whose desire is to dramatically advance their technical skills as well
as to improve their performance confidence.
Concentrated study with exceptional teachers who bring to the classroom the
knowledge, motivation and expectation of the professional world of dance, have
inspired our students to new heights of accomplishment summer after summer.
Exposure to the many styles of dance taught by a variety of special guest
artists and our staff teachers will not only benefit those who dream to dance
professionally, but also those who love to dance as recreation.
Schedule will be available soon.
Workshop Faculty
Eddy Ocampo
has worked with some of
Chicago's premiere dance companies, such as the Joel Hall Dancers, River North
Chicago Dance Company and Giordano Jazz Dance Chicago. He has worked with such
choreographers as Gus Giordano, Randy Duncan, Frank Chavez, Sam Watson, Sherry
Zunker and Liz Imperio as well as having made guest appearances with the
Kalamazoo Ballet, Augusta Opera, Cerqua Rivera Art Experience, Terpsichore
Dancers, LaJazz Dance.
Mr. Ocampo served as school
director of the Giordano Dance Center, as well as the director of Giordano
II and the Giordano Merit Scholarship program, and as a master jazz
teacher, Eddy has taught in Europe, Mexico, Canada, Turkey, the Russian
Republic and throughout the U.S. He is also the founding artistic director
the American Jazz Dance Festival-New Generation in the Russian Republic
and continues to travel to Russia yearly to spread his passion of jazz
dance to many who may have never been exposed to the art form.
As a choreographer, Mr.
Ocampo's works can be seen on such companies as
Houston Metropolitan Dance
Company, Odyssey Dance Theatre (Salt Lake City, UT), Kannon Dance (St.
Petersburg, Russia), Lisa Clark Dancers (San Francisco, CA), Giordano Jazz
Dance Chicago, Thodos Dance Chicago, Cerqua Rivera Art Experience and many
regional ballet companies across the U.S. He has worked with recording
artists Josie Aeillo, Suzanne Palmer and London-based recording artist,
Affe Adel.
Mr Ocampo received the Dance Chicago
2004 Outstanding Choreography Award as well as the Cliff Dwellers Arts
Foundation Choreography Award for Dance Chicago in 2005. He was a featured
jazz dance teacher in the June 2005 issue of Dance Teacher Magazine as
well as named one of the best jazz dance teachers in the country by Dance
Spirit Magazine. In the December 2005 issue of Chicago Magazine, Mr. Ocampo
was featured as an up and coming choreographer and in November 2005 he was
honored as Filipino American of the Year – 2005 by the Filipino
Association of America. Eddy Ocampo currently works as an independent teacher
and choreographer for his own production company,
Bento Box Productions, and
resides in Chicago, IL.
Troy
Powell,
a native New Yorker, began his dance training at the
age of nine at The Ailey School. Following his graduation from The High School
of Performing Arts, he became a member of Ailey II. Mr. Powell joined
Alvin Ailey American Dance Theater in
1991. He toured throughout the United States, South America, Europe and South
Africa for ten years before becoming a master teacher at The Ailey School and
resident choreographer of Ailey II.
Mr. Powell has choreographed ballets for Alvin Ailey American Dance Theater,
Ailey II, Dallas Black Dance Theater and Alaska Dance Theater. His guest artist
credits include performing with companies such as Batsheva, Dallas Black Dance
Theater and Complexions. Featured in an American Express commercial with AAADT,
Mr. Powell has also appeared on television in George C. Wolfe's The Colored
Museum and the PBS Great Performances: Dance In America, A Hymn for Alvin
Ailey, choreographed by Judith Jamison.
Mr. Powell teaches master classes and workshops throughout the country. In 2002,
Mr. Powell choreographed a ballet for Ailey II with music by McCoy Tyner for the
Verizon Arts festival at Alice Tully Hall in New York City.
Tyrone
C. Walker is from Washinton DC an
began his training at the Duke Ellington School of the Arts where he studied and
performed under Charles Augins, Sandra Fortune-Green, Katherine Smith, Kevin
Malone, Sandra Holloway and mentor Christopher Huggins. Mr. Walker was a
scholarship student at the summer intensive programs of both the Washington
School of Ballet and the Nashville Ballet. He also studied at Gus Giordano Jazz
Dance Chicago. In 2005, he became a member of
Nashville Ballet II under the
direction of Sharyn Wood.
In 2007, Mr. Walker received a full time Fellowship to the
Ailey School
where he has performed choreography by Pedro Ruiz, Jacqulyne Buglisi, Doug
Varone, Robert Battle, and Cleo Parker Robinson. Mr Walker had the wonderful
opportunity to perform Alvin Ailey's 'Memoria' with the Alvin Ailey American
Dance Theater for the company's 2007 season at City Center Theater in New York.
His choreography has been performed by the students of Duke Ellington School of
the Arts and The Ailey School. He has been faculty at the School of the
Nashville Ballet where he taught Advanced Ballet, Modern, Jazz and Hip-Hop and
has also been a guest teacher at Duke Ellington. In addition to being with
Ailey II, Mr. Walker is also a member of Footprints Dance Company.
Sally
Rojas was
born in Caracas, Venezuela and moved to Miami, Florida when she was ten.
She then began her training with Thomas Annour, Robert Pike, and Judith
Reese Newman at Miami Conservatory. She also studied at the School of
American Ballet and American Ballet Theatre. At the age of sixteen she
became a member of American Ballet Theatre
II where she remained and toured extensively for two years. Sally then
joined the
Houston Ballet
where she enjoyed dancing in most of the company's repertoire.
As a soloist, Sally danced the lead role in many
ballets including Odette/Odille in Swan Lake; Cleopatra in Cleopatra,
Coupava in the Snow Maiden; Valenciene in the Merry Widow; Lescaut's
Mistress in Manon; Flora in Dracula; the Sugarplum Fairy and Snow Queen in
the Nutcracker; the Green Lady in Peer Gynt. Sally has also danced the
lead in many short ballets including Balanchine's Serenade, Agon, La Valse,
and the Four Temperaments; William Forsythe's In the middle, somewhat
elevated; Ben Stevenson's the Miraculous Mandarin, Four Last Songs, and
Dusk; and Sir Kenneth MacMi1lan's Gloria, Elite Syncopations, and Song of
the Earth. Her contemporary works include leads in Stanton Welch's Indigo,
Bruiser, and Garden of Mirth; Christopher Bruce's Ghost Dances, Land,
Rooster, and Sergeant Early's Dream; Jiri KyJian's Sinfonietta; Timothy
O'Keefe's Facinating Evening; Paw Taylor's Company B: Glen Tetley's the
Rite of Spring; and Sean Kelly's Sinuosity, and Patterns.
Maria Mendoza
Ayyat
With 10 years combined experience in urban, ethnic, classical and modern
dance, Maria continues her passion for movement through Pilates. In 1996,
she discovered Pilates as a dance student at the University of Texas at
Austin. In 2001, Maria began her personal practice and research in
Classical Pilates. She later established apprenticeship and teaching roots
in 2005 through Peak Pilates at the Good Space Yoga and Pilates Studio.
Under guidance of her mentor, Peak Trainer Julie Williams, Maria is
currently undergoing her advanced-level studies. In addition, Maria has
accumulated CEC and workshop hours that include the Wunda Chair, Spine
Corrector, Anatomy, Mat Progressions, and Special Needs Populations.
Maria has danced
professionally for the Houston Rockets Power Dancers, Planet Funk, and
IKON Dance. She has taught urban dance for the Rodriguez Dance Academy,
HISD, MECA, The Children’s Prison Arts Project, The Ground Level, and Fit
Athletic Club. Her other movement interests include yoga, the Gyrotonic
Expansion System®, and Oriental dance. Maria also volunteers for Child
Advocates, a nonprofit that addresses the needs of abused children in the
Harris County court system. She is also a published writer who holds a
bachelor’s degree in journalism from UT-Austin. Maria is a native
Houstonian and a member of the
Pilates Method Alliance.
Hannah Taylor
was born and raised in Houston, Texas and received her formal training
from The High School for the Performing and Visual Arts and teachers
working with The Houston Metropolitan Dance Center. After graduating as a
Dance Major from H.S.P.V.A. she attended New York University for two
years, where she also trained at schools in New York City such as Alvin
Ailey, Dance New Amsterdam, Broadway Dancer Center, Steps on Broadway, and
Peri Dance Center. While in New York City, Hannah had the opportunity to
perform at Lincoln Center, in a new work under the direction of Celia
Rowlson–Hall that combined the artistry of modern dance, theater, and
fashion. She also performed a modern work under Jana Hicks at the New York
City Civic Center for the Performing Arts. Her strong background in
ballet, modern, and jazz dance has given her the opportunity to work and
collaborate with choreographers and artists such as Michelle Manzanales,
Steven Boyd, and others from the Houston and New York area. Now, at age
20, Hannah has returned to Houston to pursue her career as a professional
dancer, teacher, and choreographer, while finishing her degree in Speech
Language Pathology and Audiology at the University of Houston. This will
be her 6th year as teacher and choreographer for Becky’s Academy of Dance,
and because of her love for her students she actively seeks new
opportunities to teach, choreograph, and work with others in the Houston
area and around the country.
Lauren
Perrone
grew up in Texas Tap Studio, training under Paula Sloan and John Truax.
She graduated from HSPVA and went on to get a university dance degree in
dance pedagogy. Lauren has performed with national tours of Broadway shows
and has trained extensively in New York. She is currently on staff at
HSPVA and is a member of the Sandra Organ Dance Company.
Naomi Glass
A native of Mercer
Island, Washington, Naomi Glass trained at Cornish College of the Arts in
Seattle and Houston Ballet Academy before joining
Houston Ballet as an
apprentice in 1994. In 1997, she was nominated by Ben Stevenson for the Princess
Grace Award. Some of her favorite featured roles include Mr. Stevenson's Three
Preludes, Evening pas de deux, Five Poems, and Dusk; Stanton Welch's Indigo and
Bruiser; Trey McIntyre's Second Before the Ground and most recently, the role of
Wendy in Peter Pan. Ms. Glass' contemporary roles include those in Nacho Duato's
Without Words, Jiri Kylian's Sinfonietta, George Balanchine's The Four
Temperaments, William Forsythe's In the middle, somewhat elevated, Helgi
Tomasson's Haffner Symphony, and Lila York's All American, among others. Her
classical repertoire includes the roles of the Snow Queen and Arabian in The
Nutcracker; pas de trois, pas de six, Cygnets, and Neapolitan pas de deux in
Swan Lake; Fairy Beauty in The Sleeping Beauty; and pas de quatre in Giselle.
In addition to dancing, Ms. Glass
enjoys costume design. In 2001, she designed costumes for five ballets,
including Mr. Stevenson's Dusk and Fraizer. She is also creating her own line of
dancewear, called "Odoriwear" and is pursuing her B.B.A in international
business. Ms. Glass is married to former Houston Ballet dancer Damian
Schwiethale.